Reading the title of this inspiration piece probably makes
no sense until you get an appropriate context.
The context comes as I begin re-reading a classic book for me, namely,
Annie Dillard’s Pilgrim at Tinker Creek. I have used this book in a course I teach and
I always love returning to the pages of this contemporary contemplative of
nature. I don’t know how else to put it,
except to say Annie Dillard is an exciting writer. Originally appearing in 1974, the book reads
as if it were published only yesterday.
The reader would not know it, but Annie Dillard summarizes
the entire book in a paragraph in the first chapter. I would not have known this until a second or
third read of the book. This
summarization comes in a paragraph where Annie describes where she lives. Quite simply she says, “I live by a creek,
Tinker Creek, in a valley in Virginia’s Blue Ridge.” Again, I am not sure I caught the connection
between this sentence and the book title until about the third re-read.
The next sentence in the book also is revealing, if the
reader is alert. Dillard says, “An
anchorite’s hermitage is all an anchor-hold…”
Of course, virtually none of my students will have a clue what an
“anchorite” is. I would not have known
that when I was in college either! What is a little more distressing is the
fact that I know almost none of the college students will bother to look up the
word to find out what it means. I don’t
know whether that suggests a lack of curiosity or love of learning? But it is a troubling sign.
I know an anchorite is someone who lives alone---usually
suggesting someone who lives apart or away from other people. It is a term that early monks used of
themselves. Early monks or anchorites
withdrew from the crowds and the world in order to seek God and truth. Some days that makes perfect sense to
me. And I am sure, this is what Dillard
wants the reader to understand in her life at Tinker Creek. She has become a contemporary monk by the
mountain and at the creek. The book is a
journal of her pilgrimage.
Dillard describes in functional terms her anchor-hold; “It’s
a good place to live; there’s a lot to think about.” She continues, “The creeks---Tinker and
Carvin’s---are an active mystery, fresh every minute. Theirs is the mystery of the continuous
creation and all that providence implies…”
Very quickly Dillard is moving from a description of her
house---borrowing monastic terminology---to telling us, the readers, that she
is going to watch the creek, which becomes symbolic of all the world has to
teach us, to learn some life’s lessons.
Reading Dillard always leaves me gasping and, then, grabbing for more!
Then in a very compact few lines in the book, Dillard offers
in her book summary what might well be an outline of nature spirituality. She builds on the notion of a continuous
creation and the providence that implies---perhaps implicating God, but
certainly not claiming a creator God. This
is how Dillard describes the world she will observe: “the uncertainty of vision,
the horror of the fixed, the dissolution of the present, the intricacy of
beauty, the pressure of fecundity, the elusiveness of the free, and the flawed
nature of perfection.” This is an
amazing string of phrases and revealing words.
Dillard talks about vision; that’s simple enough. Then she talks about the “fixed.” That is not clear what she means. But if you think about it, little in nature
is fixed. Seasons change, etc. The fixed is usually dead meat for change and
the future. Perhaps there is the
spirituality lesson from nature. This
fits closely to the idea that the present is always giving way to that which
comes---the future. She is charmed by
beauty in nature and, I admit, so am I.
Fecundity is not a word students would know. It means fruitfulness---often radical
fruitfulness. Think about a grain of
corn. Plant it and you get an ear of
corn---that’s fecundity. I like the way
she describes the free. The free are
elusive. I like to think about the deer that
come into my back yard. They are free,
but they are also elusive. So it is with
much of the free things in our world. No
one knows better than I that perfection is often flawed. That is what every perfectionist knows!
There is so much more to say here, but then I recognize
Dillard writes her book to say the “more” that is wrapped up in these cryptic
introductory words. Near the end of that
powerful paragraph, Dillard gives the
reason why I chose the title I chose.
She writes, “The creeks are the world with all its stimulus and beauty;
I live there.”
Maybe I am one of those creeks of the world and my creek is
my life. Dillard helps me to pay
attention. With enough care I fully
expect to see the marks of Divinity all around me. She helps me see and to say what I see.
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