There are a few journals and things I routinely read. They inform me of things happening that I
probably would not know about until much later.
And they touch on subjects I likely would have said have no interest for
me and I get interested! They alert me
to things that I want to pursue---perhaps a book to read or a person to
meet. These things are like regular
friends to me.
One of the pieces I read on a regular basis is the National
Catholic Reporter. I know its reputation
as a liberal Catholic periodical, but that does not bother me. I am not reading it for the particular
political perspective. I read it because
it helps me stay in touch with people and things in the Catholic world. The Catholic world is personally interesting
to me. And I figure, any group with over
one billion people is worth charting. I
keep up with China and India, too!
Recently, I was drawn to an article entitled, “Author traces
lives touched by ‘Godspell,’” by Retta Blaney.
I never heard of Blaney (and she probably never heard of me!). Blaney’s piece is really about the pilgrimage
of Carol de Gierre, who wrote a book about the play, Godspell. I am sure I was drawn to this article, in
part, because I recall seeing Godspell more than once and loving it every
time. I was eager to see de Gierre’s
take on the play.
I learned that Godspell opened off-Broadway in Spring,
1971. I knew it had to be around that
time, since I know I was living in Boston at the time. Intriguingly, de Gierre did not see Godspell
in its original period. Now 63 years
old, de Gierre said she did not see the play until her late 40s when she was
living in Fairfield, Iowa. I have been
to Fairfield and on Broadway. The two
would not be confused with each other!
de Gierre was so smitten, she moved with her husband to
southern Connecticut so she could be close to Broadway, where so much of
theater creativity happens. She
discovered Steven Schwartz, who wrote the music for the play, and other cast
members who began sharing memories of their early experience with the
play. This led to a book, Defying Gravity: The Creative
Career of Stephen Schwartz, from Godspell to Wicked, which I would like to read.
The Blaney had a quotation from
de Gierre that I found amazing. "I like writing behind
the scenes," she said. "Rather than write about a musical, I like to
recreate the experience of being present at the creation." I loved that idea of being present at the
creation.” Outside of the context, I
would immediately have thought of the Genesis creation some 13 billion years
ago, according to scientists. That
certainly was transformative. But de
Gierre meant present at the creation of the play, Godspell.
Her
words provoked me, however, to think about the creation of worldly
things---like Godspell. She wanted to
get back to the Genesis of Godspell---to go to the beginning of what would be a
transformative process that, in turn, transformed so many audiences who would
see it. I can count myself among those
folks.
Reading
this article put me into my own thoughts about transformation. It was easy to conclude that any
transformation is creative. By
definition transformation changes one form into another---one form trans (crosses over) to a different
form. I begin to think about this in
spiritual terms.
No
doubt, one of the more dramatic experiences of spiritual transformation comes
with a conversion experience. I know
many folks who have had rather dramatic conversion experiences. They fascinate me, because that has not been
my own spiritual experience. As we know,
a dramatic conversion experience can be such that folks say, “one day I was a
sinner and the next day I was not.” They
have been transformed.
Others
of us experience transformation more like evolution. That has been my type. It has been very a slow, hit and miss kind of
transformation. Only gradually do I
realize I am being changed from one form to another. And that change is never without its
hitches. It is not always forward. There have been relapses; there have been dry
periods where nothing happened. But
somehow the Spirit always seemed to be at work.
As I
think further into it, I believe transformation is always possible and ever
ready to do its work. And the work can
be a dramatic event or a very slow process.
For me it is life-long. I like de
Gierre’s way of putting it: “the experience of being present at the
creation. If you think about it, every
day is just such an experience. Every
day we have the possibility of a transformative experience.
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