As regular readers of this inspirational reflection know, I
find the writings of the twentieth century monk, Thomas Merton, very insightful
and helpful as I think about my own life.
On the surface, it would not seem like a Trappist monk (that is a very
serious and strict order of Benedictine monks) and a Quaker would have too much
in common. He took a vow of poverty and
I have money in the bank, a wife and kids and grandkids.
However, there is much about Merton’s spiritual experience
that resonates with my own. In fact, I
find him so helpful because he was in quest of similar things to me: a life
with purpose, a life with deep meaning and a first-hand experience of the
Living God. He felt called to join the
monastic community in Kentucky. He knew
he needed a community of fellow spiritual travelers to help him on his
way. I also know I need a community of
fellow pilgrims to help me. I find my
spiritual helpers in my college community and in my local church
communities.
Although Merton died in 1968, his legacy continues in some
amazing ways. Merton died in his late
50s, but left multiple writings, painting, photos, audiotapes and countless
friends. His books continue to make
impact on people. Some of his legacy is
encountered in a visit---literally or virtually---to the Merton Center at
Bellarmine University in Louisville, KY.
I have been there multiple times and am touched by the spirit of Merton
every time I visit.
Publications continue to pour forth in words by and about
Merton. A regular journal that appears
in my mailbox is called The Merton
Seasonal. It contains articles,
pictures, etc. My latest version just
appeared. Immediately I noticed the
lovely drawing on the front of the Seasonal, as I call it. It is a winter scene. The scene pictures nothing but
trees---clearly the woods. There is a
kind of pathway down through the woods with a solitary figure walking away from
the person looking at the picture.
My mind has no doubt that the artist means to portray Thomas
Merton in the woods on the monastic property.
He is perhaps on a meditative walk.
You can see the trail of footprints his meditative journey has left as
he plodded through the snow. I know
Merton’s writings well enough to be confident that man could very well be
Merton. He loved nature, wrote poems
about nature and took countless photos of nature. Nature was a source of God’s revelation for
him.
Then it hit me. It
might not be Merton. Perhaps, the
solitary figure walking through the opening in the trees, trudging through the
snow, represents every one of us who is making a journey in search of the
Author of the beauty of the world.
Although we may be part of big families or part of church communities,
nevertheless each one of us makes our pilgrimage through life in a solitary
fashion. No one can live my life, but
me. Finally, it is me and the world and,
hopefully, the God who created the world and me.
For me (and for Merton), life is my quest to find and to be
found by the Holy One. There are plenty
of places to look for the Spirit. God
can be found in nature or discovered deep inside at the center of my
being. I have looked both places and, I
know, Merton did, too.
The footprints in the snow are significant for a couple
reasons. The footprints are evidence that
I still am alive. I am moving. The footprints trace my journey. If they could, they would tell a story. The footprints are literally the history of
my journey---describing where I was and indicative of the direction I am
heading.
The picture is not defined by the footprints. The person is still central to the
picture. The footprints serve to draw
the eye of the beholder to the person making his or her way through the opening
in the forest. One gets the dynamic
sense in this picture. The figure is
still moving---still making more footprints.
Life continues and the journey will go further. The figure was Merton. It is I. And it is you, too.
There is one more wonderful aspect to the picture. Beneath it we are told the drawing is by
Donna Kristoff---Sister Donna, as I know her.
She is a friend and an Ursuline nun and a gifted artist. She has a monastic heart and an artist’s
eye. Because she is a woman with a
monastic heart and an artist’s eye, I am confident she knows the Spirit in ways
I don’t. She, too, is that solitary
figure walking through the opening of the forest.
Instead of a narrative, she draws pictures. Because she is good, she draws me into the
picture. So far I see forest and snow
and a solitary figure walking. Maybe she
has also drawn into the picture the Holy One.
I have not yet seen that Spirit, but I want to stay on my journey long
enough to find the burning bush. Even
though it is snowy, when I come to that bush, I will take off my shoes. At that point, it will have become more than
just a walk in the woods.
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